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Futurama's got a lot to love. Great characters, intelligent humor, and stellar animation make it
a can't miss. What's more, the writing's good enough that you actually know and care about the
characters. If a show like Family Guy or South Park tried to do sincere drama, heartstring-pulling
moments, or romantic sub-plots, the result would probably be derivitive and unwatchable. Futurama,
however, is able to do all of those things to great effect. And unlike, say, Drawn Together, this
show takes its high-concept premise and actually does something with it, going where no comedy
has gone before. The voice cast is also great, featuring some of the best VO artists in the business.
It's a real shame that Fox is replacing most of them for the new season.
Okay, this one's a bit of a guilty pleasure. It's an anime with a really out-there plot that's
too complicated to explain here. Although some of the sci-fi concepts are interesting, most of it
is too over-the-top and contrived to be taken seriously, although it allows for some humorous
situations. Interesting characters and some good gags make it worth while, but be warned that it's
not going to be for everyone. The animation ranges from fairly good to just plain lazy, and the art
style will probably put off many people with its large eyes and low level of detail.
Another anime, this is one that I can recommend to a lot more people. It's a thriller about a
doctor who saves a young boy's life, only to find out many years later that the boy has become a
psychopathic murderer and criminal master-mind. Although the first episode is rather slow, the
series picks up the pace after that and never lets go, with twists, turns, varied locations, and
interesting characters. Although some of the developments and conspiracies revealed later on are
kind of silly or don't make much sense, and the ending is a bit of a cheat, it's worth it just for
the ride. Animation is good when it needs to be, but the series is usually more low-key, and with
less of the whizz-bang fantasy action of alot of other anime.
The facts were these: Ned is a Pie-Maker who can bring the dead back to life for a short period of time by touching
them. If he touches them again, they go back to being dead. It's with this power that the Pie-Maker
solves all sorts of zany and creatively gruesome murders.
Here's a show that was just too damn clever for its own good. It took a lofty concept and plopped
it into a world where every sight, sound, and line of dialog is in some way humorous or ironic.
The writing is so full of puns, gags, references, weirdness, and aliteration that it becomes a sort
of poetry, but it's hard to shake the realization that people would never talk this way in reality.
The show is filled with oddness and novelty, like a garish greeting card, albeit one that may bring a smile
to your face. Oddity and absurdity rule the day in the colorful, off-kilter world of the Pie-Maker
and his friends. The show does have a fun and light sense of whimsy and humor that one can't help to grin
and laugh and have a good time.
Unfortunately, in the end, I feel that all
the weirdness for weirdness' sake was what sank it, as it began to wear thin near the end. The romance
between Ned and Charlotte started off looking like they could put a new spin on the same old tired
love story formula, but as the series went on it became appearent that they had no idea where to go
with it. As fun and colorful as the show is, it gets old after extended exposure. Perhaps it could have
benefitted from more grounding in reality, but that's not what this show was going for. It never really
seems to find the right balance between dark comedy and live-action cartoon, leaving it to flounder somewhere
in the middle where it dries out in the sun.
The show was outrageously cut short by cancellation after only a couple short seasons, joining the canon of
unjustly canned shows
alongside the likes of Freakazoid, Firefly, and Arrested Development. It did get a few extra episodes after
its axing in which to attempt to tie up some - but ultimately not all - of the loose ends. To be honest, I feel it's
probably
a
good thing that it ended when it did, although it would have been nice to
have more answers to some of the bigger over-arching mysteries. So, R.I.P., Pushing Daisies.
This is one of the best shows to air on Adult Swim, Cartoon Network's late-night block. Usually
that wouldn't be saying much, but in this case, saying such a thing is almost
underselling this show. It's actually intelligent and entertaining enough to stand on its
own merits.
Although it sometimes features the overt sexual humor or over-the-top violence to be
expected from the usual Adult Swim fare, the comedy relies
more on characters and situations for its jokes. To this end, the show features a slew of
recurring characters for
them to work off of, most of them genuinely funny and interesting. The main concept of the show
plays off of the pulp sci-fi and adventure cartoons and comics of the '60s and 70s, and its handled
remarkably well. Everything from Johnny Quest to Scooby-Doo to the Fantastic Four is satirized
with a sort of energetic nostalgia, but also with scathing analysis of the antiquated values,
unintentional subtexts, and bad science often contained in those pulpy pages of the past.
The series does admitably start off shaky, but hits its stide around the half-way point of the
first season, in an episode that sees the main characters battling "ghost pirates" that turn out to
not actually be just regular pirates. The show peaked for the second season and
then went downhill somewhat for the third. Although still very watchable with occasional moments of greatness,
the satire of the third season
is less sharp, and the show began to rely more on crassness and audacity. It is with the third season
that the show begins to delve deeper into the pasts of the characters and the world they inhabit, but these
histories and origins rarely prove to be as interesting or engaging as the characters themselves. The third
season also turns up the complexity, trying to juggle too many characters and subplots, which ultimately
slows the pacing of the humor as disparate elements fight for screen time.
I haven't seen an awful lot of Season 4 or later, but I can't imagine the show ever reaching that same
level of quality that it held in the second season. Season two will always be remembered fondly by me,
however, with its clone-slugs, galactic observers, double dates, and David Bowie.
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